Cloud Imperium Games has been talking about its 64-bit engine conversion for at least two years now, but we've never had a chance to properly explain the benefit of this move. Following last week's interviews with Chris Roberts (Part 1: Procedural Planets V2, Alpha 3.0 & Part 2: Weather System), we sat down with CIG Technical Director Sean Tracy to learn about CryEngine, the technical inner-workings of procedural planet generation V2, and more.
Tracy sat in on our first meeting with Roberts, and was able to prepare some additional points of depth with notes taken from that meeting. The entire discussion with Tracy ran for about forty minutes. We've split that into two parts:
Part 1, today, is on 64-bit engine technology, world space coordinates, edge blending, and meshes and layers.
Part 2, Wednesday (10/5), is on CPU threading, system resource and load management, character technology, and more CitizenCon info.
Note: You may find our previous discussion on DirectX 12 & Vulkan of interest.
In our latest graphics technology interview – one of many from GDC 2016 – we spoke with Crytek's Frank Vitz about CryEngine's underlying graphics tech. Included in the discussion is a brief-but-technical overview of DirectX 12 integration (and why it's more than just a wrapper), particle FX, audio tech, and more.
This is following Crytek's announcement on CryEngine V (published here), where we highlighted the company's move to fully integrate DirectX 12 into the new CryEngine. As an accompaniment to this interview, we'd strongly encourage a read-through of our 2000-word document on new graphics technologies shown at GDC 2016.
Crytek announced at GDC 2016 its fifth iteration of CryEngine, cleverly suffixed with CryEngine “VR” in the teaser trailer. The new build of CryEngine makes a few major moves that impact gamers, but most interesting to us is a heavy focus on low-level API optimization, new particle FX processing procedures, cloud FX, and VR optimization.
Oculus and Crytek have teamed up to challenge the acrophobia of anyone with an Oculus Rift VR system. Crytek’s new game, aptly named The Climb, allows players to virtually free-climb dangerous cliffs. Now players can take on one of the world’s riskiest sports, with the only risk of falling being from one’s own chair.
The short trailer released by Crytek displays the game’s signature CryEngine visuals, as well as a pair of “Master Hands.” Speaking about The Climb and the Oculus Rift, Crytek founder and CEO Cevat Yerli said:
Physically-based rendering promises photorealistic lighting in 3D environments by offering a mathematical, less production-intensive approach to the rendering of light. The three letter acronym – “PBR” – has circulated lately as industry frontrunners like Chris Roberts (Star Citizen) have touted its presence in triple-A titles. A few game engines come to mind when we think of advanced, hyper-realistic graphics capabilities; one of those engines is the CryEngine, developed and maintained by Crytek and best-known for advancing PC graphics with Crysis.
While at GDC, we had the opportunity to ask a pair of CryEngine developers to explain what PBR is, how it affects gameplay, and if it has any performance or production impact to games. Joining us in the below video is 3D Environment Artist Sina Els and Engine Programmer Scott Peter, providing a top-level definition of physically-based rendering and its uses.
Ubisoft announced the release of their new Far Cry 4: Accolades trailer -- one that has media commenting with “ooh!” and “ahh!” The CryEngine-based graphics are gorgeous, the violence is frantic, and the animals are terrifying. This video highlights some of the reasons why this game won more than 25 awards at E3 2014.
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