AMD Launches TressFX: An Important Stepping Stone In Soft Body Dynamics

By Published February 27, 2013 at 7:40 am

You know graphics are starting to get good when hardware developers and game developers have time to work on hair. Rendering realistic hair has historically put GPUs under tremendous load, and actually we've often used FurMark—literally just a ball of dynamic fur—for stress-testing GPUs and testing for thermals. The obstructions to realistic, real-time hair rendering are mostly expected: In the real world, thousands of little strands of hair will react to every step and movement in the wind; hair can be greasy, wet, dry, and I'm sure if we were stylists, we'd be able to name dozens of other hair afflictions. Oh, and hair doesn't clip in the real-world, either. None of this is easy to render without consuming more system resources than can be allocated to, well, just hair.

This is why we see polygonal, blocky hair in a lot of games -- it gets covered by hoods or rendered in a bland enough way that it's not something you pay any mind. Artists can apply masks and textures that create hair that looks the part, but that's far away from the realm of hair (I'm getting semantic satiation over here) being realistically responsive to weather and movements. And this is where AMD hopes to enter the ring.

Hot on the heels of their Jaguar integration in the PS4, AMD has announced the development of its TressFX hair rendering technology. The company—in joint-effort with game dev Crystal Dynamics—hopes to bring further realism to Lara Croft's blood-spattered, dirt-covered avatar in the newest Tomb Raider iteration.


How it Works: TressFX and its Extrapolated Capabilities for Other Graphics Tech

For some indescribable reason, AMD's TressFX announcement came without any videos or tech demos, so we haven't actually seen the physics components (easily the most impressive) in action, but we still know a bit about how it works.

amd-tress-fx-compare2Fair note: It appears that AMD has lowered the shading and AA options for the "Standard" side of these shots, as is typical of marketing. There are very distinct, non-hair-related qualities that are notably different in the Left images in each comparison.

First-and-foremost: TressFX operates on the DirectCompute API for graphics programming rather than some proprietary solution, meaning it will be universally scalable to competing products (read: nVidia). This is a common theme for AMD, who seem to advocate that most of their developed graphics technologies should be in the open for cross-platform use; this is also highlighted in their order-independent transparency tech, which overhauled semi-transparent object rendering on the HD 5000 series GPUs and serves as a foundation for TressFX. HDAO (Ambient Occlusion) is another example, though nVidia uses its own HBAO solution, AMD's HDAO will operate on IGPs, APUs, and discrete chips from most manufacturers.

The objective here is to be widely supported by the game development community. We've seen a famous lack of optimization using nVidia's proprietary PhysX hardware solution for physics processing, perhaps with exception granted to a few premiere games (often that received funding, testing, and dev support from nVidia), and this is attributable to its relatively closed accessibility. AMD's approach to open tech is one we can agree with, especially as the world shifts more heavily toward open platforms in effort to jointly advance technology across the board.

TressFX will be available on all chips and should theoretically just be another 'tick' on the graphics settings page - enabled or disabled. TressFX does require Dx11 compatible cards, though we would like to see an official statement on how OpenGL factors in, if at all.


TressFX is driven heavily by raw DirectCompute performance as it is exceptionally intensive computationally, meaning users of GCN (Graphics Core Next) GPUs from AMD will have the best ability to run TressFX without a large performance hit. The reason for this computational power requirement is based in the tech's focus on recreating real-world physics interactions within thousands of individually-drawn strands of hair. If things work out like we've been told, the hair should have full collision detection and appropriate reactions, programmable responses to weather (dry, wet, wind), and response to gravity and unique physics situations (falling down, getting hit, jumping). As AMD continues to find itself inside of consoles -- to include the PS4, impending Xbox, and most Steam Box options -- we suspect more widespread adoption of their developed graphics rendering technologies.


It's easy to dismiss TressFX as somehow "lesser" than other visual effects and downplay its significance, but it's a very important stepping stone in the computing world's forward progression in gaming. The ability to compute and track thousands of strands of hair without consuming all of the card's resources has strong implications for the likes of environmental graphics and other soft-body elements. Cloth movement and collision could also be revolutionized by tech built out of TressFX -- something we've been dying to see in games that involve quick movements and highly-active characters (see: Mirror's Edge). Dynamic grass in MMOs, for instance, is another such item that has been widely requested in the wake of TressFX. Tree/leaf physics and shrub/plant rendering could also build upon the tech used for hair, which would offer a move away from pre-baked tricks and simplistic physics dynamism used in most modern games.

This is further perpetuated by TressFX's support of surface deformity when hair comes in contact with objects, like the character's own shoulders or hats/hoods. All of this feeds into other forthcoming rendering techniques. We've got the power to render high-poly models -- now we can focus on some of the finer details.

The official, PR-heavy announcement can be found here.

- Steve "Lelldorianx" Burke.

Last modified on February 27, 2013 at 7:40 am
Steve Burke

Steve started GamersNexus back when it was just a cool name, and now it's grown into an expansive website with an overwhelming amount of features. He recalls his first difficult decision with GN's direction: "I didn't know whether or not I wanted 'Gamers' to have a possessive apostrophe -- I mean, grammatically it should, but I didn't like it in the name. It was ugly. I also had people who were typing apostrophes into the address bar - sigh. It made sense to just leave it as 'Gamers.'"

First world problems, Steve. First world problems.

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